The social deduction is enhanced with interactions through in-game proximity based voice chat where only those nearby can hear what's being said. It's a game about talking as much as violence. Environmental hazards such as fires, bad wiring and poorly hanging chandeliers can all be used to get rid of your fellow passengers when you find it convenient. Collaborations, pacts and double-crossing abound as you work with your fellow residents to eliminate the suspected Personoids.Īs you explore the ship there are new ways to eliminate both friend and foe in each level. As this unfolds, players collect information about each other to deduce who to trust and who to avoid. The goal for the traitor players is to stop the humans doing this without being discovered. The goal for the humans is to shut down the Central Artificial Intelligence Network. Which ever side you are on you explore the ship, performing tasks and interacting with other players. on a failing luxury space cruise-liner, two are on the side of the A.I. Of the six players working together to shut down the rogue A.I. It's a social deduction game, like Among Us, so the real trick to surviving is working out which players are robot Personoids. Today, I think we've done a good job working with the indies when they have had strict parity concerns if it's just a dev issue for them.First Class Trouble is a survival puzzle game where six players must work together and against each other to survive a disaster.
"So I just saying 'let's have a conversation', and it's worked. they just can't get both games done at the same time or all 3 games, 4 games depending on how many platforms they're supporting," Spencer said. "I have a lot of friends who run small indie studios, and I get that timelines around when. "I don't want somebody to come in and just think 'I'm going to go do a special game on one platform and then I'll get to Xbox whenever I get to it.' I don't think that's right," he added.Īnd if resources are the sticking point for a developer, Spencer isn't averse to the idea of Microsoft working with that studio to make sure that the game makes it to Xbox One at the same time as another platform. "For me the parity thing is, if you own Xbox One I want to work for you to make sure that when great content launches, if it's coming to Xbox One and another platform, you get it at the same time as everybody else does." When indie games come out, I want them to come out and I want Xbox to to feel like it is a first class citizen when an indie game launches," he said. "When a third party game comes out it comes out on all platforms at the same time. Ultimately, the way Spencer views it, the clause isn't supposed to be a penalty for indies who can't afford to develop a game on multiple platforms, but it's meant to ensure that Xbox One gets the best games for its audience that it can.
Speaking on the Inner Circle Podcast (as reported by Eurogamer) Xbox boss Phil Spencer did his best to explain why Microsoft believes so strongly in the parity clause. Microsoft has taken some heat for its indie parity clause which makes it so that indie games do not appear on a different platform first before Xbox One, or that the version that launches for Xbox One is improved or different in some way.
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